Last week at Reuters, I wrote about how the diversity – or lack thereof – among guests on The Daily Show and The Colbert Report is in conflict with Jon Stewart’s and Stephen Colbert’s reputations as liberal icons:
Appearing on Stewart or Colbert bestows credibility and respect on many of the people with whom the hosts choose to converse.
And yet when it comes to gender and race, their guest rosters more closely resemble a GOP national convention than they do the liberal vision of a diverse and equitable America. Of Stewart’s most recent 45 guests, 17 of them, or 38 percent, were women. This is closer to gender equity than many comedy and news shows manage, and it’s certainly a better showing than Colbert. But when you factor in race, Stewart’s numbers start to look very grim indeed. A resounding majority – 68 percent – of his guests were white, and of the very few African-American guests who appeared on his show, all were entertainers – the band Wu Tang Clan and the comedian Kevin Hart. Women of color fared similarly poorly on The Daily Show: Out of 45 guests, just three were women of color.
In Colbert Nation, the numbers were worse still: Of 45 guests, 73 percent were men, and 89 percent were white. And of the 12 women (12!) who appeared among Colbert’s last 45 guests, three of them shared a time slot. Of those 12 women, there was just one woman of color — District of Columbia Delegate Eleanor Holmes Norton.
You can read the whole thing here.
I’m at Reuters again this week, writing about John Oliver’s new show Last Week Tonight, about how to make humour out of dark and dull topics, and about why a man with a thick Birmingham accent is so good at American political satire:
Oliver’s addition to the news-comedy landscape demonstrates the value of a half-American’s perspective on American politics and culture. He was born and grew up in Britain, moved to the United States as an adult, and has a strong Birmingham accent. He has been living here for almost a decade, is now married to an American, and has become a citizen. He is at once an outsider and an insider, a powerful position from which to critique and mock the United States.
At times, Oliver is explicit about his outsider status, particularly when he is addressing those subjects that are especially hard to joke about. In a May segment about the death penalty, Oliver noted that, as a Briton, “I come to this as a bit of an outsider. Britain does not have the capital punishment, so in a way, I really don’t know what I’m talking about.”
“But,” he continued, “in another way, I really do know what I’m talking about.” He then proceeded to give a brief overview of the lurid and grotesque history of British execution methods — “we boiled people, and in the grand tradition of British cuisine, if anything, we over-boiled them” — and joked about how British people respond when asked if they want to reinstate the death penalty, which was abolished there in 1965. It was, quite literally, gallows humor. It also demonstrated Oliver’s ability to joke about grim topics and situations that no one wants to talk about, in a way that does not detract from their gravity or strip the people involved of their humanity.
You can read the whole thing here.
This month on Radio Dispatch with Molly and John Knefel, we talk about Catherine Hardwicke’s new movie Red Riding Hood and why having sex in the snow is a bad idea, the importance of Women’s History Month, and the crap that women comics have to put up with.
You can listen to the whole show here.